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CON-HERTZ / HISTORY
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Conrad Schnitzler & Wolfgang Hertz |
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After Conrad Schnitzler left Tangerine Dream &
Kluster (pre-Cluster) in the early 70's, he went on to be one of the most
prolific explorative synthesists, and made dozens of albums, mostly as small
private editions. In the 1980's he established numerous other projects,
Con-Hertz was the duo of Conrad Schnitzler and Wolfgang Hertz
Heusmann (ex-Aussenminister, Model 81), who made two very different tapes:
"Face On Radio" consists of extracts (chosen by Auricle) from six
hours of Wolfgang's remixes of archive recordings by Con in the style of
"Conal". Aptly different, "Contrasts" is a direct
collaboration between the two musicians, presenting a good deal of Con's best
formative computer-electronic music, both melodic and abstract. From "The Crack In The
Cosmic Egg"... Konrad Schnitzler (born
27/1/1937), often quoted as the father of the Berlin Underground, Conrad
Schnitzler actually originated from Düsseldorf, where he had been involved in
the arts underground with people like Joseph Beuys, and only became involved
in the Berlin scene in 1967 when he was 30. In these early days, Con had a
fascination for chance music, for electronic devices. Famous for establishing
the Zodiak Club, the birthplace of the Berlin avant-garde underground. It was
also a regular gigging and jamming place for all sorts of people, like the
musicians from Agitation Free and Tangerine Dream. Here the prototype Kluster
and the super-session band Eruption were formed, and also it lead to Con
joining Tangerine Dream for their debut album ELECTRONIC MEDITATION. Rock
music though wasn't really Conrad's oeuvre, and so he went on to other
things. Isolated from the music scene, Con took on his music as a way
of life, constantly experimenting and recording. He was also often
commissioned for performances at festivals and galleries. At this time he
developed unique forms of concert performance, in which several cassettes were
used at random together with live electronics, thus still adhering to his
earlier passion for chance music. His first proper solo LP, housed in a plain
red cover, and known as ROT, presented a vast sounding and very dark
synthesizer music, full of rasping a twittering sounds, industrial
electronics full of power - buzzing electricity - enough to fry the senses!
Whereas red meant hot and angry, the blue album BLAU that followed, was cool
and flowing, with more modulated tones, glissando guitar, and a quite
ethereal air. Still weird, but with an underlying melodic context. For the
next few years Conrad recorded very little, mostly doing street performances
with tapes and a megaphone helmet. Conrad Schnitzler worked quite a lot with the younger wave of
Berlin musicians in the early-1980's. The duo of Con-Hertz had an unusual
beginning, as original tapes issued by Wolfgang Hertz were actually sessions
he'd worked on together with Con, and thereafter had remixed, cut-up and
manipulated, creating something new without Con's knowledge. The resultant music was bizarre, abstract and floating
electronics, some of it successful, some less so, often akin to Conrad's own
album CONAL. Many of the best pieces were later compiled onto the Auricle
Music cassette release of FACE ON RADIO. With those previous sessions
resulting in a successful release, the duo later tried working together
again. The resultant project CONTRASTS was a document of several months
collaborative work between the two musicians working with sound samplers and
electronics, after they had collaborated on the MICON IN ITALIA album, with a
varied collection ranging from complex neo-classical music onto totally
abstract soundscapes. |
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Discography... Con-Hertz also have tracks on... original Conrad Schnitzler tracks on other Auricle
releases... For
other Wolfgang Hertz works see Aussenminster |
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